Who is albers

Albers is an equal-area equivalent projection. Shapes, directions, angles, and distances are generally distorted. The scale, directions, and distances are true only along the standard parallels. Distortion values grow away from the standard parallels.

Distortion values are the same along any given parallel and symmetric across the central meridian. This projection is best suited for equal-area mapping of land masses in mid-latitudes extending in an east-to-west orientation rather than those extending north to south. It is best practice to place standard parallels at one-sixth of the latitude range below the top and above the bottom of the area to be mapped. After ellipsoidal equations were developed, the projection became standard for equal-area maps of the United States.

The standard parallels can be at any latitude, except set at opposite poles. If both standard parallels are set to a pole, the resulting projection is the Lambert azimuthal equal-area projection in polar aspect.

When one of the standard parallels is set at a pole, the outcome is the Lambert equal-area conic projection. And, when critiquing a student's painting, he would ask them what it was they were trying to do in it.

If they responded in terms of abstract form, shape and colour he would engage them in meaningful discussion but if they responded in terms of feeling or emotion he would exclaim, "Gotten Himmel! Don't show me your intestines! The square was the ideal shape for the series — they are mathematically related to each other in size, perfect for superimposition, and shapes that never occur in nature, thus reaffirming their man-made quality.

In addition to painting, printmaking, and executing murals and architectural commissions, Albers published poetry, articles, and books on art.

Thus, as a theoretician, as well as a teacher, he was an important influence on generations of young artists. Galerie Ludorff. Chrysoprase , Formulation: Articulation , Heather James Fine Art. Gregg Shienbaum Fine Art. Study for Homage to the Square: "Blue Glow" , Study for Homage to the Square: Earth and Sky , Sotheby's New York. Anders Wahlstedt Fine Art.

Zelte , She used straight lines and solid colors to make works on paper and wall hangings devoid of representation. In her functional textiles she experimented with metallic thread and horsehair as well as traditional yarns, and utilized the raw materials and components of structure as the source of design and beauty.

In the Bauhaus moved to the city of Dessau to a streamlined and revolutionary building designed by Walter Gropius, the architect who had founded the school. They remained at Black Mountain until , while Josef continued his exploration of a range of printmaking techniques, took off as an abstract painter, made collages of autumn leaves, kept writing, became an ever more influential teacher and wrote about art and education. Anni made extraordinary weavings, developed new textiles, and taught, while also writing essays on design that reflected her independent and passionate vision.

Meanwhile, the Alberses began making frequent trips to Mexico, a country that captivated their imagination and had a strong effect on both of their art. In , the Alberses moved to Connecticut. There, and as guest teacher at art schools throughout North and South America and in Europe, he trained a whole new generation of art teachers.